‘All the Diamonds’ at Krupa Art Foundation
Seeing the World Through a Kaleidoscope.
On ‘Black Seas – Scores for the Sonic Eye’ at the Romanian Pavilion at Venice Biennale 2026.
How Ljubljana Art Weekend Navigates Memory and Historical Displacements.
In conversation with Vero Córdoba
From Textile to Territory.
In Conversation with Iza Tarasewicz
How Angine de Poitrine Made Weirdness Go Viral
‘Dark Paradise: Inner Tales’ at BWA Wrocław
For a long time, the countryside was not within the field of interest of contemporary art. The artists tended to focus primarily on cities, globalisation and new technologies. However, in recent years, there has been a clear shift toward localness, landscape and experiences connected with life outside major urban centres.
Justyna Smoleń is a Polish artist who works with methods rooted in traditional craft techniques, weaving together feminist critique, ecocriticism and commentary on the capitalist and increasingly nationalistic structures that govern the world.
Taking its title from the Latin word exuvia — the shell left behind after metamorphosis— the exhibition examines transformation as both a visual and bodily experience.
