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Tracey Emin’s ‘A Second Life’ at Tate Modern
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In Conversation with Bogna Burska and Daniel Kotowski
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Painting as Material Negotiation
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Notes From an Assistant Curator on Ștefan Câlția, Transylvania and the Making of a New Language
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Hands & Crafts
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‘A Bird That Cannot Land’ at the Kyiv Biennial in Berlin
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In Conversation with Dorota Jarecka and Magda Lipska, Curators of the Exhibition ‘In the Very Bowels of Changes: Surrealism and Antifascism’
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Post-Socialist Dreams in ‘Gen Z. All at Once’ at MO Museum, Vilnius
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‘When Light Breaks the Dark’ at Bomb Factory Art Foundation
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12 International Opportunities for Artists to Apply This Season
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Blood, Sweat and Tears: Tracey Emin’s ‘A Second Life’ at Tate Modern
Upon entering Tracey Emin’s exhibition in Tate Modern, you are greeted in one of two ways: either by the harrowing account of Emin’s childhood rape and the public shaming that followed, or by the euphoric melody of Sylvester’s 1978 hit You Make Me Feel (Mighty Real), accompanied by footage of the artist dancing with infectious energy.
More Than a Common Language. In Conversation with Bogna Burska and Daniel Kotowski
What does it take to truly understand one another? Presented in the Polish Pavilion at the 61st La Biennale di Venezia, Liquid Tongues explores communication beyond spoken language, bringing together experiences of the Deaf, sign language and reflections on interspecies communication.
Andrea Zabric. Painting as Material Negotiation
Andrea Zabric developed her practice through painting, writing and exhibition-making. Central to her is an exploration of how images emerge through the act of painting itself, an approach that places making, perception and material encounter before fixed composition.
Beyond Dreams and Fantasies. In Conversation with Dorota Jarecka and Magda Lipska, Curators of the Exhibition ‘In the Very Bowels of Changes: Surrealism and Antifascism’
The Kids Are Not Alright, and That’s Okay. Post-Socialist Dreams in ‘Gen Z. All at Once’ at MO Museum, Vilnius
