Materiality in the Paintings of Alexander Aburanem
The Long-Awaited Reopening of Warsaw's Poster Museum
The Geography of Absence.
In Conversation with Małgorzata Grąbczewska and Natalia Barbarska
Why Great Art Refuses Repetition.
Ana Maria Szőllősi’s ‘Ménière’ at Kunsthalle Bega
Curiosity in the Imperceptible.
Intersection Photo Festival 2026
Navigating Hong Kong Through Art.
“Greater New York 2026” exhibition at MoMA PS1
Zuzanna Szary in Conversation with Wojciech Szymański
French artist JR unveils La Caverne du Pont Neuf, an ambitious public art installation that transforms Paris’s historic Pont Neuf into a monumental cave-like environment from 6–28 June 2026
In Alexander Aburanem’s practice, painting is pushed to the threshold of physical endurance. His monumental surfaces, often extending up to six meters, refuse stillness.
The Poster Museum in Wilanów, established in 1968, is the world's first institution of its kind. After being closed for nearly five years for a major refurbishment, it has recently reopened.
