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Iri Kristiansen’s Reimagining of ‘Gullterning’
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Tracey Emin’s ‘A Second Life’ at Tate Modern
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In Conversation with Bogna Burska and Daniel Kotowski
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Painting as Material Negotiation
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Notes From an Assistant Curator on Ștefan Câlția, Transylvania and the Making of a New Language
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Hands & Crafts
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‘A Bird That Cannot Land’ at the Kyiv Biennial in Berlin
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In Conversation with Dorota Jarecka and Magda Lipska, Curators of the Exhibition ‘In the Very Bowels of Changes: Surrealism and Antifascism’
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Post-Socialist Dreams in ‘Gen Z. All at Once’ at MO Museum, Vilnius
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‘When Light Breaks the Dark’ at Bomb Factory Art Foundation
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12 International Opportunities for Artists to Apply This Season
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Beyond the Spotlight: Five Projects Worth Your Attention at the Rencontres d'Arles 2026
For decades, photography has been understood as a medium for documenting the state of the world.
Folk Between Tradition and Contemporaneity: Iri Kristiansen’s Reimagining of ‘Gullterning’
Gullterning — or Golden Dice — is but one of centuries of medieval ballads and lyrical tales that compose the musical heritage of Norwegian folk tradition. This fable follows a listless princess, who deigns to entertain herself aside the palace steps by rolling luck away in contest with a common young artisan.
Blood, Sweat and Tears: Tracey Emin’s ‘A Second Life’ at Tate Modern
Upon entering Tracey Emin’s exhibition in Tate Modern, you are greeted in one of two ways: either by the harrowing account of Emin’s childhood rape and the public shaming that followed, or by the euphoric melody of Sylvester’s 1978 hit You Make Me Feel (Mighty Real), accompanied by footage of the artist dancing with infectious energy.
The Radiant Nucleus of Liviana Dan: Notes From an Assistant Curator on Ștefan Câlția, Transylvania and the Making of a New Language
Beyond Dreams and Fantasies. In Conversation with Dorota Jarecka and Magda Lipska, Curators of the Exhibition ‘In the Very Bowels of Changes: Surrealism and Antifascism’
