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‘A Culture of Excess’ Exhibition at Galeria XX1
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"Marilyn Monroe. I feel like I know her, but sometimes my arms bend back" at Krupa Art Foundation
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What Does It Mean to Feel Safe?
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A panel discussion by Contemporary Lynx as part of the 24th SURVIVAL Art Review in Wrocław
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Shifting Images, Dissolving Forms.
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‘国建 ā á ǎ à KENBO’s Art Journey from the East to the West’ at Trafostacja Sztuki, Szczecin.
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The Body at the Edge of the Surface
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How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness in their collaborative project, Queer Migrations.
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On Samuel Kłoda’s Exhibition at UFO Art Gallery in Kraków
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Contemporary Lynx at Kinomural: Our Award for New Media Art
Our editorial team will select the work that, in our view, stands out most strongly from the programme presented during the two festival evenings. The Contemporary Lynx Award will recognise an artist whose work demonstrates a particularly compelling artistic vision, originality, and an ability to rethink the possibilities of contemporary image-making.
Art Against the Overpowering Reality of Modern Existence. ‘A Culture of Excess’ Exhibition at Galeria XX1
Excess, access and scarcity come together in a provocative reflection on the overwhelming conditions of modern existence in A Culture of Excess, an exhibition organised at Galeria XX1 by the Mazovia Institute of Culture in collaboration with the Faculty of Media Art of the Academy of Fine Arts in Warsaw.
Speaking Truth to an Icon. "Marilyn Monroe. I feel like I know her, but sometimes my arms bend back" at Krupa Art Foundation
“Everything is about Marilyn Monroe,” David Lynch once mused. Not only does his own work certainly echo a desire to understand and explore the essence of Monroe, but her story resonates eternally in art and pop culture.
